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Miguel Millionés continued his eventful 2019 by attending the Academy Awards in Los Angeles.  As if that wasn’t enough, Millionés was tapped by DJ Mateo DiFontaine to assist in the DJ’ing of the Vanity Fair Oscars party.  Attended by too many celebrities to name, just know Spike Lee was in the building.



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Millionés (pictured left) with Ariana Grande & Pharrell Williams.


Ariana Grande’s win for “Best Pop Vocal Album” at this Year’s Grammy awards meant big things for Miguel Millionés.

His engineering credit(s) on Ariana’s “Sweetner” ensured him a second gramophone statue.

“Specifically it was the fact I engineered more than 51% of the album playing time, in fact it was 56%.” (said Millionés.)

“Sweetner” came up big at the Grammy’s despite Ariana’s absence (a deliberate boycott effort on Grande’s part) the result of a creative disagreement with the show’s producer.

Not to be slowed; Grande’s new album “Thank U, Next” (released just this month) currently has three singles occupying the top three positions on the billboard top 100.  The first time such a feat has been achieved since The Beatles.




Twitter was abound with memes this week when “EDM DJ” ‘Zedd’ seemingly communicated he felt Shek Wes – Mo Bamba was somehow derivitive of one of his previous recordings while also expressing that he (in addition) did not particular enjoy it.

Poor.  Baby.

There have been some great Electronic and Rap and/or Trap Collabs in the recent era of music.

Kanye West sampling high-end indie-electro and Jay-Z’s verses over top those beats on Watch The Throne comes to mind (specifically).

Harlem Shake, Just Blaze, etc, etc.

But let’s be honest with one another.

How many times have you encountered a (so-called) “Remix” or “Edit” by an “EDM DJ” of a already present rap/trap song (Flick Of The Wrist-esque perhaps, for example) where the ‘remix/edit’ is legitimately some unrelated sonic nonsense leading up to an alternate drop of the pre-existing record.

The point is, you’re either for the culture or you whore the culture.

Majority of these “EDM DJ’s” are plants (Horticulture).

In all seriousness, If Zedd doesn’t like it he can chalk it up to reparations.

In the worlds of Silkk Tha Shockker:

“Charge It 2 Da Game.”

C-HU$TLE (Best Of Volume I) [2010-2015] Tracklist / Credits & Features + Release Date


Best Of:

Vol. I (2010-2015)

Christmas 2018


  1. Ride With A Pimp (prod. by Drew Money & M. Millionés)
  2. Detroit River On A  Yacht Sh*t (prod. by ODizzyBeatz)
  3. Pretty In A Video ft. Roso & Dotoz (prod. by BLAKNASA)
  4. Errol Flynn [Cruel Summer Remix] (prod. by DJ HiDef)
  5. Postman (prod. by Mike Gibbz)
  6. Bangin’ Like A Boombox [O.G. Bushwick Mix] (prod. by M. Millionés)


(c) 2019 Hit-A-Lik Entertainment

C-HU$TLE Survives Assassination Attempt

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Hit-A-Lik Entertainment Chief Executive Officer Charles “C-HU$TLE” Coffey was bitten by the attack dog of a crazed fan, early last Saturday morning in Central New Jersey.

Though details are still emerging sources close to Coffey have confirmed the K-9’s motives were those, of an assassin.

“Yeah, for sure.  No question- that dog was lookin’ to kill, but we ain’t pressin’ charges…”

Said an unidentified Iaw enforcement agent.

C-HU$TLE was not available for comment but released this statement.

“Presuming there are no complications, Lord willing – I’m going to make a full recovery…”

Fan speculation about the incident reached a fever pitch when photos of Coffey’s K-9 inflicted bite wound emerged on satellite media platforms late last Sunday evening.

This is C-HU$TLE’s first assassination attempt.

Andre 3000 x J-Maul

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Hit-A-Lik artist and Chandelier Money Gang head honcho J-Maul ran into Outkast legend Andre 3000 last week in lower manhattan.

The “Rob A “Bank” MC chopped it up with Dre who was good enough to flick it up one time for the gram.

Though details were scarce, it has been confirmed the two crossed paths during the course of a creative partnership J-Maul has with Supreme.

J-Maul was not available for comment but his soundcloud is below: