Hit-A-Lik Entertainment opens for Soulja Boy 7.24.2014 @ the El Ray, Los Angeles
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Hit-A-Lik. C.E.O. Charles Buko faced stern second-guessing after failing to provide Jay-Z with a promotional CD single of Hit-A-Lik street anthem #RobABank when he walked past Hovi (stepping off an elevator at a Manhattan recording studio) last week.
C-HU$T was not available for comment but released this statement:
“You know’m sayin’ that wasn’t the first time we walked past Jigga in an elevator, so I doubt it’ll be the last money.”
C-HU$T additionally did however; (eventually) confirm this incident was in fact the first time he’d walked past Beyoncé in an elevator (or elsewhere otherwise [for that matter]).
After decades of waiting C-Webb has finally come home. Even if this arrival took place at NBA All-Star Weekend 2014 in New Orleans, it is the vibe that counts. Home is, where the heart is and even if Webber never “returns” to the corny “embrace” of the University Of Michigan Athletic Department. Even if he is never courtside at Crisler Arena with a headset on (like he is nightly, nationwide with TNT currently) let this photo with Hit-A-Lik artist Arcade (a.k.a. BLAKNASA) be a lesson to thee. Despite flagrant ignorance and subversive racism on the part of the University Of Michigan Athletic Department brass, (specifically David Brandon) C-Webb will not be shunned.
I saw someone on instagram comment, “Mr. Timeout” on this photograph. To this person we say: if by “Mr. Timeout” you mean “Mr. invented black socks, long shorts, authentic collegiate superstars, initiated of the wave which would ultimately lead to unionization of college athletes, hoop rappers, creator of DADA clothing line, wardrobe supplier for the classic 2004 film Shottas, and the producer/beat-maker of Nasir Jones – Blunt Ashes, then… yes…”Mr. Timeout”.
Even if C-Webb’s shyness and understandably bittersweet emotions overcomes him, The Eastside shall remain… perfect. Tappan Middle School Alumni pictured with Chris Webber (left to right) Anthony “The Jesus Of Crunk” Galardi, Johnny “Arcade/BLAKNASA” Floyd, and Tommy “The Head Turner Like Head Turner” Buhr (to Webber’s right) above.
After more than a decade of toiling behind the proverbial “other side of the glass” Hit-A-Lik Entertainment technical czar, and in-house production guru Mikey Millions (M. Millionés) has been awarded a Grammy certificate for his efforts.
The lost C-Hustle Hustle Hard freestyle has resurfaced.